Jacques Futrelle (1875 – 1912) was an American journalist and mystery writer. He is best known for writing short detective stories featuring Professor Augustus S. F. X. Van Dusen, also known as "The Thinking Machine" for his application of logic to any and all situations. Futrelle died in the sinking of the RMS Titanic. This short story was collected in The Thinking Machine (1907), which was featured in crime writer H. R. F. Keating's list of the 100 best crime and mystery books ever published.
Matthew Kale made fifty million dollars out of axle grease, after which he began to patronize the high arts. It was simple he had the money, and Europe had the old masters. His method of buying was simplicity itself. There were five thousand square yards, more or less, in the huge gallery of his marble mansion which were to be covered, so he bought five thousand square yards, more or less, of art. Some of it was good, some of it fair, and much of it bad. The chief picture of the collection was a Rubens, which he had picked up in Rome for fifty thousand dollars. Soon after acquiring his collection, Kale decided to make certain alterations in the vast room where the pictures hung. They were all taken down and stored in the ball room, equally vast, with their faces toward the wall.
Jacques Futrelle (1875 – 1912) was an American journalist and mystery writer. He is best known for writing short detective stories featuring Professor Augustus S. F. X. Van Dusen, also known as "The Thinking Machine" for his application of logic to any and all situations. Futrelle died in the sinking of the RMS Titanic. This short story was collected in The Thinking Machine (1907), which was featured in crime writer H. R. F. Keating's list of the 100 best crime and mystery books ever published.
Matthew Kale made fifty million dollars out of axle grease, after which he began to patronize the high arts. It was simple he had the money, and Europe had the old masters. His method of buying was simplicity itself. There were five thousand square yards, more or less, in the huge gallery of his marble mansion which were to be covered, so he bought five thousand square yards, more or less, of art. Some of it was good, some of it fair, and much of it bad. The chief picture of the collection was a Rubens, which he had picked up in Rome for fifty thousand dollars. Soon after acquiring his collection, Kale decided to make certain alterations in the vast room where the pictures hung. They were all taken down and stored in the ball room, equally vast, with their faces toward the wall.